I have been invited by Linda Leslie Brown to show my recent work exploring the topography of the ocean floor, DEEP TIME, as a guest artist at the Kingston Gallery in October, 2018.
Linda, a member of the gallery, will be showing in the Main Gallery. The title of her exhibition, Plastiglomerate, is adopted from the name of a new substance created through heat fusion of plastic bits, sand, and other materials. It has been identified as a new form of rock said to be a geological marker of the Anthropocene era.
From the Press Release
Guest artist Phyllis Ewen presents Deep Time, sculptural collages inspired by the movement of the earth's surface. With scanned and altered sections of ocean floor maps, Ewen delves into the science of anthropogenic climate change and its effect on land and water. Her palette comes from the deep ocean mountains, valleys, and canyons of the ocean floor. During the process of creating this thought provoking body of work, Ewen's chroma darkened, reflecting the collective mood of increasing global ecological dangers. Melting glaciers and warming seas have affected the sea floor, disrupting evolutionary Deep Time with the significant human impact on the earth's geology and ecosystems. To create this work Ewen digitally modifies cartographic images of ocean floor maps plotted in the 1950s and 1960s by geologist Marie Tharp. Fragmenting and reassembling her source material, Ewen adds paint to form an imagined dimensional underwater topography. The depth and texture in these works are both illusion and reality. Magnetically attached layers reference the magnetic anomalies of the earth's tectonic plates on the ocean floor.
Linda, a member of the gallery, will be showing in the Main Gallery. The title of her exhibition, Plastiglomerate, is adopted from the name of a new substance created through heat fusion of plastic bits, sand, and other materials. It has been identified as a new form of rock said to be a geological marker of the Anthropocene era.
From the Press Release
Guest artist Phyllis Ewen presents Deep Time, sculptural collages inspired by the movement of the earth's surface. With scanned and altered sections of ocean floor maps, Ewen delves into the science of anthropogenic climate change and its effect on land and water. Her palette comes from the deep ocean mountains, valleys, and canyons of the ocean floor. During the process of creating this thought provoking body of work, Ewen's chroma darkened, reflecting the collective mood of increasing global ecological dangers. Melting glaciers and warming seas have affected the sea floor, disrupting evolutionary Deep Time with the significant human impact on the earth's geology and ecosystems. To create this work Ewen digitally modifies cartographic images of ocean floor maps plotted in the 1950s and 1960s by geologist Marie Tharp. Fragmenting and reassembling her source material, Ewen adds paint to form an imagined dimensional underwater topography. The depth and texture in these works are both illusion and reality. Magnetically attached layers reference the magnetic anomalies of the earth's tectonic plates on the ocean floor.
IN THE CENTER GALLERY
Phyllis Ewen: Deep Time
October 3-28, 2018
Opening Reception: Friday, October 5, 2018, 5:00-8:00 pm
Second Saturday BADA Event: October 13, 2018, 2:00-4:00 pm, Art in the Age of the Anthropocene: a Boston Art Dealers Association panel discussion Moderated by Sam Toabe, Gallery Director at UMass Boston's University Hall Gallery.
Phyllis Ewen: Deep Time
October 3-28, 2018
Opening Reception: Friday, October 5, 2018, 5:00-8:00 pm
Second Saturday BADA Event: October 13, 2018, 2:00-4:00 pm, Art in the Age of the Anthropocene: a Boston Art Dealers Association panel discussion Moderated by Sam Toabe, Gallery Director at UMass Boston's University Hall Gallery.
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